Claire Bishop

Peter Fischli and David Weiss

April 2016

THE TITLE of Peter Fischli and David Weiss’s current retrospective, “How to Work Better,” is taken from a ten-point list that the pair spotted in a Thai ceramics factory in 1990. Beginning sensibly enough with “Do one thing at a time”… READ ON

IN PRINT April 2016 [TOC]

Claire Bishop

September 2015

THE FIFTY-SIXTH VENICE BIENNALE is dominated by a Danh Vo double bill: “mothertongue,” a solo show in the Danish pavilion, and “Slip of the Tongue,” a large exhibition curated by the artist at the François Pinault Foundation’s … READ ON

IN PRINT September 2015 [TOC]

Anne Teresa De Keersmaeker


June 2015

THE ART WORLD’S FASCINATION with relocating dance into the gallery has been gathering steam for well over a decade—and as of this spring it shows no signs of abating, despite the numerous conundrums that encumber the transition from theater… READ ON

IN PRINT Summer 2015 [TOC]

Claire Bishop


December 2014

THIS SEEMS TO BE THE YEAR that dance went discursive. The possibilities and limitations of this shift marked the two most influential performance experiences I had in 2014. The first was Ralph Lemon’s Value Talks at the Museum of Modern … READ ON

IN PRINT December 2014 [TOC]

Making Art Global


March 2014

AROUND THE TURN OF THE MILLENNIUM, books dealing with the relatively new art-historical subgenre of exhibition history were few and far between. The category pretty much comprised the anthology Thinking About Exhibitions (Bruce W. Ferguson … READ ON

IN PRINT March 2014 [TOC]

the Manchester International Festival


October 2013

SINCE ITS INCEPTION IN 2007, the Manchester Inter­national Festival has leaned heavily on curator Hans Ulrich Obrist for advice on the portion of its programming devoted to visual art, which the biennial always features alongside big-name … READ ON

IN PRINT October 2013 [TOC]

Claire Bishop

September 2013

DEPENDING ON WHOM YOU SPEAK TO, the Lithuania/Cyprus pavilion is either an unforgettably atmospheric nonpavilion that sets new standards for post-national, site-specific representation in Venice, or an obfuscating haze of fictions without … READ ON

IN PRINT September 2013 [TOC]

Sharjah Biennial 11

May 2013

IT’S MY FIRST RESEARCH TRIP to the Middle East, and I am woefully underprepared. What do I know about Sharjah? Only that it’s a “dry” emirate (in both climate and alcohol consumption) that has invested seriously in culture and heritage… READ ON

IN PRINT May 2013 [TOC]

Claire Bishop

December 2012

ONE OF THE FEW HIGHLIGHTS of this past summer’s Cultural Olympiad, the UK government’s austerity-busting spending spree, was the July opening of the Tanks, Tate Modern’s new gallery spaces. Back in the days when Tate Modern was a power… READ ON

IN PRINT December 2012 [TOC]


September 2012

WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to get digital, too, harnessing the new technologies that were just … READ ON

IN PRINT September 2012 [TOC]