Colby Chamberlain

Mel Bochner

December 2014

CONCISELY, SUCCINCTLY, PITHILY, “Mel Bochner: Strong Language” opened with two works, both titled Self/Portrait—the first, from 1966, ink on graph paper; the second, from 2013, oil on canvas. In each, the words SELF and PORTRAIT sat atop… READ ON

IN PRINT December 2014 [TOC]

GCC

November 2014

It seems like a joke, doesn’t it, for GCC to claim that it was founded in the VIP lounge of Art Dubai 2013? That nine young artists with roots in the Middle East formed a partnership while sporting art-fair badges? The scene comes off as … READ ON

IN PRINT November 2014 [TOC]

Mark Leckey

October 2014

The white cube. The black box. The green screen. Mark Leckey’s “A Month of Making” heralded the latest of these color-coded exhibition conventions. First the modern museum delimited the contemplation of painting and sculpture to supposedly… READ ON

IN PRINT October 2014 [TOC]

Ellie Ga

September 2014

What to call it? A preface? A primer? An afterimage? In the corridor leading into, or out of, Ellie Ga’s three-channel video installation Four Thousand Blocks, 2013–14, hung a single white sheet bearing the impress of a text, faintly … READ ON

IN PRINT September 2014 [TOC]

Margaret Lee

May 2014

No need to walk in. You could see everything through the window from the street. Atop a platform, before a freestanding wall, several items: a Rietveld chair, a Vitra stool, nesting tables by Superstudio. Hanging from the wall, a painting. … READ ON

IN PRINT May 2014 [TOC]

Los Angeles Poverty Department

April 2014

In 1984, performance artist John Malpede relocated from New York to Los Angeles and took a job as an outreach paralegal at Inner City Law Center. Out of the ICLC’s offices on Skid Row, Malpede held theater workshops for the area’s homeless… READ ON

IN PRINT April 2014 [TOC]

Jill Magid

February 2014

“I roamed the lobbies of hotels in the city looking for a man in an expensive vintage suit,” writes Jill Magid in her book Failed States (2012), “a discreet, older, subtle man who knew things, who was looking for me too.” Magid keeps… READ ON

IN PRINT February 2014 [TOC]

Jon Rafman

January 2014

Someone should have told Jon Rafman to restrain himself. His inaugural exhibition at Zach Feuer was packed, and unevenly so: Upon entering, you encountered racks of plastic video-game cases with labels showing Thomas Cole’s early-nineteenth-century… READ ON

IN PRINT January 2014 [TOC]

Aldo Tambellini

December 2013

Let’s get the usual encomiums out of the way: “pioneering,” “little known but influential,” “long overdue recognition.” The language accompanying the revival of interest in Aldo Tambellini is familiar enough, as are the rites.… READ ON

IN PRINT December 2013 [TOC]

Paul Ramírez Jonas

Koenig & Clinton

November 2013

In case you find yourself curious, here are the identities of Paul Ramírez Jonas’s five “Ventriloquists,” 2013, the cork facsimiles of classical busts on pedestals at the center of his exhibition “Aggregate”: Sophocles, Freud, … READ ON

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