Monica Westin

Brendan Fowler


May 2015

The repeated circle patterns that top Brendan Fowler’s two large, layered wall pieces are made with an industrial embroidery machine—the kind that stitches logos onto sports jackets and baseball caps. This process translates the … READ ON


Miriam Böhm

Ratio 3

April 2015

Miriam Böhm’s elegant, nimble photographs are the result of a recursive process in which she modifies a print through some combination of folding and tilting, then documents the resulting shape. Böhm’s work operates through the tradition… READ ON



SFAQ [Project] Space

March 2015

This group show curated by Petra Collins, explicitly organized around the theme of domestic transience, is perfectly sited in a new, raw project space. Juxtaposed with crude fiberboard floors, the work recalls first attempts at personalizing… READ ON


Matt Keegan

Altman Siegel

February 2015

The wall sculptures and photographs that comprise Matt Keegan’s “And” seem deceptively soft and disarmingly modest. Large C-prints of found machine-made shapes, such as a scrap of rusted and twisted industrial metal in Was (all works … READ ON


“Landscape: the virtual, the actual, the possible?”

Yerba Buena Center for the Arts

December 2014

A collaboration between the YBCA, the Kadist Art Foundation, and the Guangdong Times Museum in Guangzhou, the ambitious group show “Landscape: the virtual, the actual, the possible?” defamiliarizes an influential trope in recent cultural… READ ON



Pier 24

October 2014

In its first several rooms, “Secondhand” appears to embody a diligent curatorial argument about notable trends in contemporary photographic practices surrounding found images, with by canonical work from Richard Prince and John Baldessari,… READ ON


Lisa Ross


August 2014

Lisa Ross’s large-scale photographs of found shrines nestled among the sand dunes of the Taklamakan Desert in the Chinese region of Xinjiang waver between landscapes and portraits of their absent creators. Made from branches and fabric … READ ON


Amie Siegel

Ratio 3

May 2014

Amie Siegel’s film Winter, 2013, opens with mysterious people drifting around a white biomorphic building that seems vaguely like a commune. They perform bird calls, weave the husks of plants, and, in a comical moment, patiently sit in … READ ON


Walead Beshty

Regen Projects

March 2014

The photographs, sculptures, and assemblages in Walead Beshty’s “Selected Bodies of Work” derive from three series that span a wide range of approaches to the evidence of labor in artistic production—from the almost purely formal to… READ ON


Tracey Snelling

Rena Bransten Gallery

January 2014

The large-scale posters and elaborate architectural models that make up Tracey Snelling’s exhibition “Mystery Hour” depict imaginary B movies whose premises are as facetious as they are seductively lurid: “She was married to a walking… READ ON