This retrospective exhibition spans more than forty years of artistic creation by Efrat Natan, one of the pioneers of Conceptual Art and Body Art in Israel. Natan was born in 1947 in Kibbutz Kfar Ruppin in the Beit She’an Valley, and lived there until the early ’70s, when she began her artistic activities. Motifs from her childhood environment serve as points of departure for many of her works: the four winds of the sky, the land and the star-studded night sky, the landscape of the Beit She'an Valley and the Jordan, the modest kibbutz houses and a bed inside them. These motifs became imprinted in her body consciousness, and through it passed into her art.
Natan’s works are characterized by “making do with little”; their forms are simple and they are made of everyday materials, mostly in the range between the black and the white. The materials and objectsshe makes use of are richly charged with content. The undershirts, for example, which she ties, stretches, tears or crumbles, take on additional meanings with each new appearance: as a basic item of clothing of the pioneer-worker, as an image of the private body, and also as celestial bodies and clouds that are reflected in a big window and proffer a host of possibilities to the imagination’s gaze. Like the undershirts, other materials too – such as milk and dough, window netting, mosquitonets, and records – stem from her childhood environment in the ’50s, and over the years they have accumulated meanings relating to topical events in this country, the local milieu, and the history of art.
The exhibition relates to the four winds of the sky and contains two structures: one, shaped like a T, represents the children’s house in the kibbutz, while the second recalls her parents’ small room there. Visitors are invited to walk in the space between the structures and inside them, and to view the works, some of which are small and intimate and some of which draw the gaze outward, to beyond the walls.
Unless otherwise indicated, the works are courtesy of the artist.