August 29, 2016

Baltimore Museum of Art Appoints Katy Siegel as Senior Programming and Research Curator

Katy Siegel

The Baltimore Museum of Art has announced that it has named Katy Siegel, curator at large at the Rose Art Museum, as senior programming and research curator. Siegel will be responsible for developing exhibitions, public programs, audience development initiatives, and partnerships. She will assume the role on September 1.

“As one of the most influential thinkers in the field of post-war art, [Siegel] will join an already vibrant team at the museum who will work within the institution and beyond its walls to set the BMA’s creative course for the next five to seven years,” director Christopher Bedford said.

Siegel currently serves as chair of Modern American Art at Stony Brook University. During her tenure as curator at large at Brandeis University’s Rose Art Museum she organized numerous shows, including “Pretty Raw: After and Around Helen Frankenthaler,” “Light Years: Jack Whitten, 1971–1974,” and “The Matter that Surrounds Us: Wols and Charline von Heyl.” Siegel is a contributing editor at Artforum and has authored several books, including The Heroine Paint: After Frankenthaler, 2015, and Since ’45: America and the Making of Contemporary Art, 2011.

August 29, 2016

Craig Peterson Appointed New Director of Abrons Art Center

Craig Peterson

Joshua Barone of the New York Times reports that Craig Peterson, currently the director of programs and presentation at Gibney Dance, will be the new director of the Abrons Art Center starting this September. Peterson will be taking over for Jay Wegman, who’s leaving Abrons to become the senior director of NYU’s Skirball Center for the Performing Arts. Wegman is credited for profoundly reinvigorating Abrons’s programming over the last ten years.

Abrons is a branch of the Henry Street Settlement, a Lower East Side social services organization founded by nurse and activist Lillian Wald in 1893. “It’s clear that Henry Street is deeply invested in the success of its forward-thinking arts programming. I look forward to being a part of this organization’s incredible legacy of social change,” said Peterson.

August 29, 2016

Prince’s Paisley Park Will Become a Museum

Interior of Paisley Park

Prince’s 50,000 square foot estate, Paisley Park, located just twenty miles outside of Minneapolis, will be turned into a museum, writes Nate Freeman of Artnews. The future of the estate has been in limbo since the recording artist’s death on April 21, 2016.

Paperwork has been submitted to the City of Chanhassan, Minnesota for this change by the administrators of the artist’s estate—Prince’s family and Bremer Trust, a bank. The museum will open on October 3, 2016.

Prince’s family said in a statement, “The new Paisley Park museum will offer fans a unique experience, an exhibition like no other, as Prince would have wanted it. Most important, the museum will display Prince’s genius, honor his legacy, and carry forward his strong sense of family and community.” There will be guided tours of all the home’s facilities—recording studios, performance spaces—and his vast collection of awards and musical instruments.

August 29, 2016

Lisa Cooley Gallery Has Closed

Lisa Cooley Gallery on Norfolk Street.

According to Nate Freeman of Artnews, Lisa Cooley Gallery has closed. The last exhibition at the space, “Jeff Witscher: August,” ended on August 26, 2016. No other exhibitions are slated for the future on the gallery’s website.

Cooley has been on the Lower East Side for eight years. Her space on Norfolk Street, designed by the architectural firm Ashe + Leandro, was three times the size of her space on Delancey Street (Cooley opened her first space in 2008 on Orchard Street).

Cooley represented Trudy Benson, Alice Channer, Fiona Connor, Andy Coolquitt, Cynthia Daignault, Matthew Darbyshire, Josh Faught, Lucy Kim, Scott Reeder, Alan Reid, Sue Tompkins, Ben Vida, and Jennifer West. Artforum.com writer Yin Ho picked Tompkins’s exhibition at the gallery in March 2016, and Michael Wilson reviewed Fiona Connor’s show there in Artforum’s November 2015 issue.

August 29, 2016

Board Resignations at the Bronx Museum Due to Disagreements over Director Holly Block’s Leadership

Holly Block. Photo: Lisette Poole, The New York Times.

Robin Pogrebin of the New York Times writes that two executives and four board members from the Bronx Museum of the Arts have resigned over disagreements regarding director Holly Block’s leadership. It is the exhibition “Wild Noise,” a massive institutional art exchange between the Bronx Museum and Havana’s Museo Nacional de Bellas Artes, and a costly gift for Cuba from the Bronx Museum, that have caused the resignations.

“Wild Noise,” which was scheduled to open this past spring, was postponed because the Havana museum did not deliver their works—they worried the art would be confiscated by the US government over Fidel Castro’s seizure of American properties during his rise to power in 1959 (the American claims on those properties total over $7 billion, as Artforum.com reported in June 2016). Also, $2.5 million is being spent by the Bronx Museum on a replica of a statue of the Cuban revolutionary leader José Martí—the original sits on the outskirts of Central Park. The duplicate would be sent to Cuba as a symbol of solidarity between the two countries.

Laura Blanco, the chairwoman of the Bronx Museum’s board, and Mary Beth Mandanas, the vice chairwoman, in an email to the rest of the board regarding their resignations, said, “We are alarmed by the serious nature of these issues and by the lack of an unbiased mechanism for resolving them. While many of our comments concern the executive director and her lack of transparency, we are equally focused on the broader system that has been constructed to erode the power of the board.”

August 27, 2016

Jaime Davidovich (1936–2016)

Jaime Davidovich as “Dr. Videovich.”

Jaime Davidovich, a video and installation artist based in New York who, before many others, recognized the emergence of cable TV in the 1970s as a polymorphous medium that could serve artists—and viewers—in extraordinary ways, died today from pancreatic cancer.

Davidovich was born in Buenos Aires. He studied at the Colegio Nacional de Buenos Aires, the University of Uruguay, and New York’s School of Visual Arts. Prior to video and television, Davidovich was a painter, exploring all the material and philosophical aspects surrounding the monochrome, which led to more expansive works investigating ephemerality and site-specificity. He moved to New York in 1964, and in 1976, helped found Cable SoHo and, in 1978, founded and was president of the Artists’ Television Network. These platforms for the distribution of avant-garde thinking and programming via cable access was a way of “get[ting] out of the claustrophobic traditional art world,” Davidovich told the New York Times in 1979. He was also the creator of Cable Soho’s The Live! Show, a variety half-hour hosted by the artist’s alter ego “Dr. Videovich,” that ran from 1979 to 1984. The Live! Show owed as much to Ed Sullivan and Ernie Kovacs as it did to Dada and Situationism, and featured projects and performances from a wide range of makers and personalities, such as Laurie Anderson, Eric Bogosian, Mike Smith, Tony Oursler, Tim Maul, Walter Robinson, Linda Montano, Ann Magnuson, and Richard Hell.

Davidovich received grants from the NEA (1978, 1984, 1990) and the New York State Council on the Arts (1975, 1982). He was also the Joan Mitchell Foundation’s “Creating a Living Legacy Artist” from 2013–14. In 2010 he was given a retrospective at ARTIUM, the Centro-Museo Vasco de Arte Contemporaneo in Spain. He has had many solo exhibitions at a number of New York galleries and institutions, such as the Bronx Museum of Art; Churner and Churner; Cabinet; and the American Museum of the Moving Image, and has participated in group exhibitions at New York’s MoMA and the Whitney Museum; the J. Paul Getty Museum in Los Angeles; the Long Beach Museum of Art; and the Museo Nacional Centro de Arte Reina Sofía in Madrid.

As critic Jacob Proctor said in the April 2015 issue of Artforum for the exhibition “Outreach: Jaime Davidovich, 1974–1984” at Chicago’s Threewalls gallery, curated by art historian Daniel Quiles, “From our contemporary perspective, it can be hard to conjure the sense of potential artists felt when they first gained access to video- and television-production facilities in the 1960s and ’70s. While many early artistic experiments in television took an explicitly oppositional stance toward the TV industry, Davidovich and his cohort devised clever ways to work with television rather than against it.”

August 26, 2016

Google Returns Literary Blog Data to Dennis Cooper

Dennis Cooper

Nearly two months ago Google disabled writer Dennis Cooper’s literary blog—a fourteen-year-long project hosted by Blogger—and his Gmail account without warning. On Friday, Cooper announced that following negotiations between the media company and his lawyers, the content of his blog will be returned to him.

DC’s, the beloved literary platform where Cooper posted writings, research, images, as well as his GIF novels, will be relaunched in a new location on Monday, August 29. Cooper will not be able to upload all of the data from his former blog at once, since he will have to repost each item by hand, but he will gradually work on the project until the blog is completely restored.

Allegedly, Google deactivated the account on June 27 in response to an almost ten-year-old post, titled “Self-Portrait Day,” for which Cooper invited readers to send him content such as writings, images, videos, or sound files related to a specific theme. He would then curate the submissions and post an entry.

August 26, 2016

Galerie Forsblom Merges With Lars Bohman Gallery

Jan Hansen and Kaj Forsblom. Photo: Thomas Engström

Stockholm’s Lars Bohman Gallery and Galerie Forsblom of Helsinki have announced that they are merging. In January 2017, Lars Bohman will reopen its Stockholm location as Bohman Forsblom Gallery. Galerie Forsblom will continue operations under its current name.

“This is a great opportunity for our artists to widen their audiences, and for our collectors to be introduced to great new talents,” Jan Hansen of Lars Bohman Gallery said. The two galleries’ exhibitions have featured artists such as Ai Weiwei, Louise Bourgeois, Peter Halley, Jacob Hashimoto, Secundino Hernández, Chantal Joffe, Yayoi Kusama, Jonathan Lasker, Bjarne Melgaard, Tony Oursler, Donald Sultan, Joel Shapiro, and Not Vital among others.

In 2017, Galerie Forsblom will celebrate the fortieth anniversary of its founding and Lars Bohman Gallery will have been in business for thirty-five years.

August 26, 2016

Richard Prince Faces Fourth Lawsuit Over Copyright Infringement

Installation view of Richard Prince’s “New Portraits” series at Gagosian Gallery in 2014.

Appropriation artist Richard Prince is being sued for copyright infringement for the fourth time, Julia Halperin of the Art Newspaper reports.

California-based makeup artist and model Ashley Salazar filed a complaint in the US District Court of the Central District of California on June 15, after she discovered that Prince had used an image of her that she had posted on her Instagram account, @mynxiiwhite, in his “New Portraits” series. The works, which were first exhibited at Gagosian Gallery’s Madison Avenue location in 2014, feature Instagram photos of a range of women, including celebrities such as Kate Moss as well as images of female college students. Prince enlarges the images and adds his own mix of emojis and comments in the text below.

The image of Salazar, which depicted the model taking a selfie in a mirror with cat memes adorning the right edge of the frame, was sold at Frieze New York last year. According to The Guardian, Gagosian was selling the “New Portraits” series works for up to $100,000.