January 2011

Maria Lassnig

Johanna Burton

“I do not aim for the ‘big emotions’ when I’m working,” Maria Lassnig explained in these pages two years ago, “but concentrate on small feelings: sensations in the skin or in the nerves, all of which one feels.” The real trick to pursuing such fleeting, ephemeral “sensations,” the painter goes on to say, is by notating them with some fidelity while …

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