May 2013

talks with Massimiliano Gioni about the upcoming 55th Venice Biennale

Francesco Bonami

From the “Family of Man” to the “Museum Without Walls,” the vision of a sweeping integration of art and non-art, ancient and modern, canon and fringe, has haunted the history of the large-scale exhibition for at least half a century. This summer, curator MASSIMILIANO GIONI throws his hat into the ring with the Fifty-Fifth Venice Biennale, synoptically titled

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