May 2013

Steve McQueen

Solveig Nelson

PROJECTED CLOSE AGAINST A WALL in a large, dark gallery, the saturated red of Steve McQueen’s 16-mm film Charlotte, 2004, produced an intimacy with the viewer every bit as charged as the contact that occurs between the artist’s finger and Charlotte Rampling’s eyeball. McQueen’s insistent probing, with occasional pauses to explore the sagging skin of the actor’s …

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