May 2013

John Lehr

Michael Wilson

The nine color photographs in John Lehr’s recent exhibition “Low Relief” look like luscious but simple shots of chanced-upon urban surfaces—walls, doors, windows, grates—enriched by incidental wear and tear. And in terms of primary source, that’s exactly what they are. But Lehr has manipulated each close-up image physically and digitally, tinkering with both …

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