January 2014

Heimrad Bäcker

Gregory Williams

Visitors walking into the MCA Denver’s Heimrad Bäcker exhibition might mistake it for a group show. With black-and-white photographs, floor-based sculptures, an austere group of prints, and fourteen issues of the journal neue texte, the various components do not immediately suggest the output of a single artist. Little known outside German-speaking countries, Bäcker …

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