January 2014

Elizabeth Price

Rachel Withers

Rosalind Krauss’s 1976 essay “Video: The Aesthetics of Narcissism” identified various tactics by which the then nascent art form might distance itself from the dislocating, dehistoricizing products of mainstream TV. Number one was to “exploit the medium in order to criticize it from within”—a neat formula, but one that also translates into an exasperatingly …

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