January 2014

Than Hussein Clark

Eva Scharrer

On first sight, Than Hussein Clark’s debut solo show, cryptically titled “Waves (Das Glückliche Rothschild)” (Waves [The Happy Rothschild]), looked a bit like a postmodern interior-decor display. A fluffy, richly ornamented carpet in shades of turquoise, blue, and salmon, Konnigratz/Hamichuri/ Konnigratz/Hamichuri (all works 2013), ran for some twenty-four feet through …

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