Summer 2014

Ken Okiishi

Jeff Nagy

In the eleven paintings that were in this show, all equal in size and in identical thin black frames, densely expressionist or allusively calligraphic brushstrokes bunch or stutter across shimmering color fields. You had to dip your head ninety degrees toward your left shoulder to read the name of the Old Master, stamped in silver and running up each frame’s right-hand …

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