Herzog & de Meuron and Ai Weiwei are set to create the 2012 Serpentine Gallery Pavilion. In a press release issued today, Serpentine notes that the pavilion will lead visitors to the space beneath the gallery’s lawn, allowing them to “explore the hidden history of its previous pavilions.” The work will include eleven columns characterizing each past pavilion and a twelfth to support a platform roof suspended approximately five feet above ground. The pavilion will be presented as part of the London 2012 Festival, the culmination of the Cultural Olympiad.
Said Serpentine director Julia Peyton-Jones and codirector Hans Ulrich Obrist of the gallery’s selection: “It is a great honor to be working with Herzog & de Meuron and Ai Weiwei. We are delighted that our annual commission will bring this unique architectural collaboration to Europe to mark the continuity between the Beijing 2008 and the London 2012 Games.”
The archive of photographer Jack Welpott has been acquired by the Center for Creative Photography at the University of Arizona. Welpott is noted for establishing a graduate program in photography at San Francisco State University in the early 1960s, at a time when “few photography courses were offered,” reports the center in a press release. The center also notes that he taught one of the first history of photography classes. Welpott’s works are included in collections at institutions like the Getty Museum, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, and the Bibliotheque Nationale in Paris.
“We are thrilled that the Jack Welpott Legacy Trust has chosen the Center for Creative Photography as the permanent home for the Welpott archive,” comments Katharine Martinez, the center’s director. “Welpott was an accomplished photographer and a key member of the rich community of artists in the San Francisco Bay Area during the second half of the twentieth century. His archive will allow researchers, curators, and photographers to better understand his career as well as his pivotal role as a teacher and mentor.”
“Infinite Forest,” a design proposed by a team of architects at Studio a+i, has won a competition for an AIDS memorial park in Manhattan’s Greenwich Village, reports the Associated Press in an article published on the Washington Post. The park was previously part of the former St. Vincent’s Hospital; after the institution’s bankruptcy, Rudin Management Company acquired the triangular piece of land and hosted the design competition. CEO and chairman Bill Rudin notes the memorial has received partial approval by the city. He adds that the design, which includes groves of trees and mirrored glass surfaces, will allow for “a commemoration of those impacted by AIDS.”
Painter, sculptor, and art theorist Antoni Tàpies has passed away, according to AFP. His works ranged from abstract compositions on canvas to a ten-foot-high model of a sock with a hole in its heel. In 1948, Tàpies helped found the Spanish movement Dau al Set, closely affiliated with Surrealist and Dadaist movements. Over a decade later, he was active in resistance efforts against dictator Francisco Franco’s regime. In 2010, he was given the title of Marquess by Spain’s King Juan Carlos.
Tàpies’s work has been featured in solo exhibitions and retrospectives at institutions including the Musée d'Art Moderne de la Ville de Paris, the Guggenheim in New York, Museo Nacional Centro de Arte Reina Sofía, Madrid, and in the Spanish Pavilion during the 1993 edition of Venice Biennale. He was represented by Pace Gallery.
Katie Sonnenborn has been named codirector of Skowhegan School of Painting & Sculpture. She will begin her new position in New York at the end of this month, working closely with the other codirector, Sarah Workneh, who will be based in Maine this summer. Sonnenborn comes to her new post from Dia Art Foundation, where she started as assistant to then-director Michael Govan, and later became director of external affairs, leading preservation efforts at Dia’s Western Projects. Her writing appears in Performa catalogues, as well as Frieze and the Brooklyn Rail.
Artlyst notes that the winners of the second annual Zabludowicz Collection Curatorial Open are Helga Just Christoffersen and Natasha Llorens.The duo will be given a budget of over sixty thousand dollars—as well as full access to the Zabludowicz Collection—to curate an exhibition at the collection’s space in London this summer. Christoffersen and Llorens were chosen from a short list by a panel comprising Chris Dercon, the director of Tate Modern; Maria Lind, the director, Tensta Konsthall; Anita Zabludowicz, the collection’s founder; and writer Martin Herbert. Last year’s winner was Pavel S. Pyś, who has since been named the exhibitions and displays curator at the Henry Moore Institute in Leeds.
Carol Vogel reports for the New York Times that the Deutsche Guggenheim will be closing at the end of 2012. Though neither Deutsche Bank nor the Guggenheim enumerated any concrete reasons behind the decision, the director of the Guggenheim Foundation, Richard Armstrong, stated: “Berlin today is a very different city from what it was when we began. We feel the time is right now to step back and reexamine our collaboration to see how it might evolve.’’ Over the course of its fifteen years, the institution has brought in 1.8 million visitors to a total of fifty-seven exhibitions. It has also commissioned seventeen artists to create works that made their debut in the space.
Mike Boehm notes in the Los Angeles Times that, according to the Chronicle of Philanthropy, which today issued its annual ranking of America’s fifty most generous philanthropists, these big givers together budgeted more than 2 percent of their charitable donations to arts and culture.
Writes Boehm, “The top individual cultural gifts . . . were $70 million to the Virginia Museum of Fine Arts in Richmond, by Arthur and Margaret Glasgow, the lion’s share of a $125 million bequest that ranked them ninth; $35 million for the Miami Science Museum from Philip and Patricia Frost (thirty-seventh); $30 million for the Miami Art Museum from Jorge Perez (tied for forty-third); $30 million for a new arts complex at Columbia University in New York, and $5 million for the Barnes Foundation in Philadelphia from Gerry and Marguerite Lenfest (seventeenth).”
Boehm notes that the annual list was not “sufficiently fine tuned to capture all the arts interests of top donors.” For instance, it considered the six billion dollars bequeathed by Margaret Cargill a donation to her foundation, rather than funding for the arts institutions that will ultimately receive a significant portion of the money.
The Antwerp gallery Wide White Space is the winner of the 2012 Art Cologne Prize, according to e-flux. The award, worth $13,000, will be given to Anny De Decker, who operated the gallery with Bernd Lohaus from 1966 to 1976, during which time they featured works by artists including Carl André, Marcel Broodthaers, Piero Manzoni, Victor Vasarely, and Andy Warhol. Wide White Space also worked closely with Joseph Beuys and served as the site for his action Eurasienstab—one of his first exhibitions outside Germay. Previous prize winners include Ileana Sonnabend, Denise René, Rudolf Springer, Otto van de Loo, René Block, and Michael Werner.