Brisbane

Sixth Asia Pacific Triennial of Contemporary Art

When Queensland Art Gallery’s fifth Asia Pacific Triennial opened in 2005, it could not help but play second fiddle to the vast new Gallery of Modern Art it inaugurated, where it

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Paris

Grégory Derenne

Grégory Derenne’s interior landscapes––figurative paintings of television soundstages, art galleries, and shop fronts––balance photorealism with an exaggerated sense of

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Berlin

Manuel Graf

What is work? Today’s art world isn’t good at drawing a clear line between professional, social, and personal activities or interchanges. In “Buchtipp 2,” Manuel Graf’s d

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New York

“Vertically Integrated Manufacturing”

Murray Guy’s group show, “Vertically Integrated Manufacturing,” takes its name from the economic structure of corporations such as Walmart, which own both the supply and dist

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Paris

Claire Morgan

From the far side of the gallery, Architecture, 2009, one of Claire Morgan’s suspended installations, almost disappears into thin air. From a grate of clear acrylic dowels on the

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Houston

Dana Frankfort

With their bright palettes and rough rectangular forms, Dana Frankfort’s latest canvases recall early Rothko. Hovering bodies of vivid colors, applied in jagged brushstrokes, ple

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New York

Pablo Bronstein

The Metropolitan keeps a substantial part of its contemporary display in an awkward position: a horseshoe-shaped suite of galleries between the first and second floors. On the floo

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Providence

Carey Young

As this small show demonstrates, Carey Young has considered deeply the realm of corporate-structured business and the legalization of Western culture. In the nearly fifteen-minute

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Paris

Øystein Aasan

Norwegian artist Øystein Aasan has something up his sleeve: controlled explosions of images or text that stealthily disarm their reader. Aasan divides his source materials into sm

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San Francisco

Shannon Ebner

Shannon Ebner’s latest exhibition, “Signal Hill,” continues her semiotic adventures through photography. Here, Ebner transposes her willfully oblique hermeneutics to immateri

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Houston

Joseph Cohen

Prescriptive art can often unintentionally provoke apathy in the viewer—the adherence to a “rule-based” agenda may come across as shallow, if not didactic, pointing to self-i

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Paris

Elina Brotherus

This gallery devotes two consecutive shows over the season to Finnish photographer and video artist Elina Brotherus: the current retrospective of medium- to large-format color phot

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