New York

Siah Armajani

Siah Armajani’s latest exhibition takes up the brutal but largely invisible violence that erupted in the wake of this year’s contested Iranian presidential election. Although t

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Los Angeles

William Powhida

Insider art-world jokes—as caricature, if not a kind of portraiture—speak volumes about the “contemporary” moment and often end up serving as important social and historica

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Hong Kong

“A Blow to the Everyday”

For “A Blow to the Everyday,” curator Yuko Hasegawa presents several works that transmute ordinary aspects of urban life. Japanese artists Kenichi Hagihara, Meiro Koizumi, Ayak

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London

“Art Now: Beating the Bounds”

The premise of this exhibition is curious—its title, “Art Now: Beating the Bounds,” refers to a defunct English practice in which church parishioners would reaffirm the bound

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Istanbul

Haris Epaminonda

To the right of the entrance hangs a small, framed book page that depicts a man looking up at a towering termite mound. The unusual scale and perspective of this landscape with fig

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Modena

Christian Holstad

Christian Holstad’s first solo show in Italy, titled “I Confess,” is something of a retrospective, given the large number of his works on view from the past ten years, but it

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Paris

“The New Festival”

Call it what you will (a stage, an event, a platform?), but curator Bernard Blisténe’s performance-based program at the Pompidou may prove to be nothing less than a major triump

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New York

Robert Morris

Robert Morris’s Site, 1964, originated as a dance piece performed with Carolee Schneemann. Dressed in white workman’s clothes and a papier-mâché mask, Morris moved two eight-

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Cardiff

Eddo Stern

The first solo exhibition in the UK by the Tel Aviv–born artist Eddo Stern presents a visually dazzling array of alternative universes. References to Balinese shadow puppets and

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New York

Marcel Broodthaers

Marcel Broodthaers conceived of the 1974 work Ne dites pas que je ne l’ai pas dit—Le Perroquet (Don’t Say I Didn’t Say So—The Parrot) as a setting for the presentation of

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New York

“Dress Codes”

Art and fashion mergers seem so 2007—Takashi Murakami’s Louis Vuitton exhibition boutique would likely bomb in this economic climate. So it’s a relief to see a refreshingly s

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Atlanta

“Undercover: Performing and Transforming Black Female Identities”

Physical representation of the black female is explored in this thoughtful and thematically rich exhibition. Curators Andrea Barnwell Brownlee and Karen Comer Lowe have brought tog

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