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In three concurrent shows, Nunzio presents recent sculptures in wood and lead that reveal a dialogue between luminosity and darkness, weight and lightness. At Alessandra Bonomo, Se
Brian O’Doherty’s overdue solo debut in Germany centers around Portrait of Marcel Duchamp, a series of objects that begin with a cardiogram O’Doherty made of the famed French
The latest in Arter’s new commissioned series of solo exhibitions is Nevin Aladağ’s “Stage,” six installations, made of brightly colored artificial hair, that mimic the lo
The simplicity of the one thousand–plus works in Josef Albers’s “Homage to the Square” series, 1949–76, is utterly deceptive. Layering colored square upon colored square,
Sheila Hicks, whose venerable oeuvre has expanded the potential of thread and cloth as artistic material, is finally getting the attention she justly deserves in New York. On the h
The impact of Frank Stella’s early fusillades in black, aluminum, and copper is too enormous to distill, nearly fifty years after their conception. Beloved and enigmatic, the pai
As a graduate student at RISD, Spencer Finch copied Claude Monet’s Basin at Argenteuil, 1874, on a dare. The replica is now on view several paces from the original, in “Paintin
The sociological output of Dutch photographer Rineke Dijkstra appears simple enough on the surface. Yet, as this retrospective emphasizes, her enigmatic work is continually strengt
The titles of Jennifer Bartlett’s large-scale paintings on square plates of baked enamel steel—from Rhapsody, 1975–76, to the more recent Song, 2007, and Recitative, 2009–1
Jennifer Wen Ma’s Hanging Garden in Ink, 2012, a site-specific commission, offers her latest experiment with the organic properties of mo, or ink. Inspired by the mythical hangin
A property developer in Bangalore named M. S. Ramaiah purportedly believed that he could stave off death with endless site construction, a conceit that, along with the figure of Ra
Jean-Luc Moulène’s yearlong exhibition “Opus + One” comprises three distinct modules dispersed throughout the vast building. The most beguiling of all is the large gallery o
