In 1970s and 1980s New York, Tehching Hsieh made a series of artworks: five separate one-year-long performances.
The exhibition will focus on documentation of his performance ‘life work’, One Year Performance 1980-1981 (Time Clock Piece).
For one year, the artist punched a worker’s time clock located in his studio, on the hour, every hour. Marking the occasion by taking a self-portrait on a single frame of 16mm film, the resulting reel documents a year in his life at approximately one second per day––a pace that is polar opposite of the enduring length of the original performance. The punch cards, witnessed by a third party for authenticity, and other ephemera, document Hsieh’s life restructured around this highly repetitive task.